The local cops kept staring at me. I couldn’t decide if it was the plaid miniskirt in subarctic temperatures, or the fact that they’d never seen anyone talk to the dead before.
I know, I know. It doesn’t sound that weird. Where else would you start other than the beginning?
Only it’s not that simple. You have to know where the story ACTUALLY starts. Backstory and characterization are good things for the author to know, but we don’t need to put it in up front. We want to start as close to The Thing That Sets Stuff In Motion as possible. (Imagine if you had to sit through ten minutes of Luke Skywalker fixing moisture vaporators and whining to his aunt and uncle before the droids showed up. No. Just, no. Instead we start his part of the story with the droids arriving, shorthand in a few lines of characterization, and then, boom, we’ve got a Princess in Peril and off we go.)
I’m not talking about that part. I’m saying that I LITERALLY write the first line of my book first. In my head. Sometimes before I even know what the plot of the book is going to be. Prom Dates From Hell was like that. And so was Spirit and Dust. I knew from the moment I finished writing Texas Gothic (where Daisy is a minor character) what would be the opening line of her book. I didn’t know if or when I would get to write it, but I knew how it would start.
(By the way, you do NOT have to read Texas Gothic or Spirit and Dust in any order. The only thing that connects them is the characters come from the same family. Their stories are independent and don’t have spoilers for each other.)