I feel like a sloth for breaking my blog silence with a reblog. But it’s from DFW Writer’s Workshop, and it has something really key to say about writing, even if it was written by my arch-nemesis A. Lee Martinez.
Emotional intent is what turns a plot into a story. It’s simple, but sometimes hard to explain, and ALM does a great job. Even if you’re not a writer, you might find it interesting to know why some scenes connect with your gut, and some never get past your head.
See you on the flip side, peeps. –Rosemary
The first thing you should ask yourself is why?
Writing isn’t as simple as putting down words on paper. If it was, everyone would be doing it, and at times, it feels like everyone thinks they can. If we’re talking about sitting in front of a keyboard and typing until you have a few pages, then, yes, everyone can do it. There’s a difference between doing it and doing it well.
Asking why is that difference.
Let’s stick with fiction for the moment. Much of this applies to non-fiction as well, but it’s easier to focus on one right now. Fiction is, generally, a series of scenes that string together to form an overarching story. All basic stuff, you might think, but you would be wrong.
The Why (capital W from this point on) is Why this scene must exist in the first place. Your initial answer…
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